I paint mutilated women wearing poignant expressions. They are a satire of sexual objectification and consumption that consciously interrupts the male gaze. It is inspired by the frustration, bordering on futility, of women’s efforts to define themselves within overlapping systems of oppression. These paintings explore the fluidity of identity, and a person’s ability to change and reconstruct themselves in response to set systems. I integrate the literary notions of body horror, the uncanny and the abject into my work to understand the unfeminine and unexpressed violence in young women’s internal experiences. These are a catalog of women’s attempts to assert power and control over their own bodies.